MOOC MOOC – Day Four

Before I could join in with Day Four’s activities, I decided that I needed to better understand the concept of ‘Connectivism’.

Connectivism

Stephen Downes states that: “At its heart, connectivism is the thesis that knowledge is distributed across a network of connections, and therefore that learning consists of the ability to construct and traverse those networks.” Which in my mind, could easily be describing my experience in using Twitter to develop a personal learning network (PLN). Through Twitter I have connected with a network of individuals, shared and aggregated resources and ideas, which has resulted in both learning and the (co-)construction of new ideas and resources.

He goes on to outline four process that are integral to connectivism:

  1. Aggregation
  2. Remixing
  3. Repurposing
  4. Feeding Forward

Considering this list closely, it would appear that connectivism is very similar to constructivism, particularly given that these activities encourage sharing, creation and collaboration.

However, Downes et al., see connectivism as a distinct model of its own. In ‘What is the unique idea in connectivism’, George Siemens explains that “learning is defined as the creation of new connections and patterns as well as the ability to maneuver around existing networks/patterns.” While this sounds very similar to Downes’ interpretation, Siemens emphasis on the “creation of new connections” implies that the learning occurs through networking as opposed to the act of construction. Artefacts created, either individually or collaboratively during MOOCs are, to some degree, a byproduct. The dialogue and connections generated before, during and after their creation is where the learning occurs. The network is the essence of connectivism; the essence of the MOOC.

Siemens continues, asserting that “Coherence. Sensemaking. Meaning. These elements are prominent in constructivism, to a lessor extent cognitivism, and not at all in behaviourism. But in connectivism, we argue that the rapid flow and abundance of information raises these elements to critical importance.” This is certainly true, and within MOOC MOOC this has been more than evident. However, for some participants, the sheer scale of information generated by the network can be overwhelming. Therefore, I would argue that, to be successful in a MOOC, you have to be well-versed in the use of tools that can help you make sense of the information. Moreover, as I have previously written, it is important for participants to be willing to plot their own paths and not feel that they have to read/do everything.

Moreover, connectivism, is a pedagogy that places significant emphasis on interdependence. Perhaps then the most important facet of the MOOC acronym is ‘openness’. Relatively free from geographical, economic, social and cultural constraints, the cMOOC gives rise to democratised, networked-learning that emphasises participation and collaboration.

Participant Pedagogy

Day Four’s task was to consider participant pedagogy. I entered into this having not really had time to look at the reading, but with some strong views about learner participation and the student/teacher paradigm. In my own words

Learning is and should always be in the hands of the learner.

A number of us, decided that some face-to-face interaction was needed and so a Google+ Hanout was instigated. After a few technical problems, Sheila MacNeil, Martin Hawksey, David Kernohan, Alan Ng and I engaged in a fruitful discussion.

The discussion covered a number of related topics:

  • the pedagogical models found within the cMOOC/xMOOC dichotomy;
  • the position of teacher/lecturer and the way that we (educators) view education/learning;
  • the problems with systematised education (sage on the stage, teach to the test culture);
  • participant pedagogy, including the problem of the teacher/student paradigm

As I suggest a number of times during the discussion, I believe that the dichotomy of the traditional student/teacher relationship is a false one; based on an out of date system of education. If our goal is to foster a love of learning, then I believe it is necessary for educators to position themselves as learners, facilitators, guides; not as experts. A scary prospect for some.

Pete Rorabaugh argues that:

Critical pedagogy, no matter how we define it, has a central place in the discussion of how learning is changing in the 21st century because critical pedagogy is primarily concerned with an equitable distribution of power… Digital tools offer the opportunity to refocus how power works in the classroom. In its evolution from passive consumption to critical production – from the cult of the expert to a culture of collaboration – the critical and digital classroom emerges as a site of intellectual and moral agency.

This is certainly a thesis that I can support, given that I would describe my own classroom in similar terms. However, I am left asking whether or not such an evolution requires ‘digital tools’ to achieve such equity? Can learning not be democratised within traditional educational settings, without the influence of technology? Does this not, have more to do with shifting beliefs and values about pedagogy and the student/teacher paradigm?

Teo Bishop, makes a similar case, asserting that:

A teacher and a student, when presented as text on the screen, look exactly the same. They are just text. The internet is the Great Equalizer not only because it provides the world with a seemingly unlimited amount of information, but because it reduces us all to font, to pixels, to bits of sound and noise that only begin to approach our full complexity.

Perhaps… although I think this is a naive view. Technology, in this case ‘the internet’, is being given far too much credit. Social status, expertise and power are in no way absent from the world wide web. Blogs and social networks may have given everyone a voice, but that does not mean that everyone is listening.

Technology, itself, does not have the power to improve education. Nor does it have the power to democratise it. The participatory pedagogies alluded to by both Rorabaugh and Bishop require a change in values and beliefs on the part of not just educators, but society as a whole. Moreover, they require a dramatic shift in the priorities of educational institutions. It’s better economics for institutions such as Stanford and MIT to proffer xMOOC style courses, as the investment in participant-based co-creation and the development of networks is labour intensive and difficult to control.

Earlier in the article, Bishop asked what I think is a more important question: “I’m in a position where I can do my best work, and inspire the most dialogue, by openly not having the answers. Do teachers have that luxury?” Yes they do, but they have to be prepared to take risks; to be willing to redefine their role within the classroom. As I shared in the Hangout, I do not consider myself to be a teacher anymore. I am a learner, facilitator, and guide.

On reflection, I wonder to what extent teaching Media Studies has impacted on the way I view education and my role within it. Media Studies is in a continual state of evolution, built on theoretical ideas rather than absolutes; responding to a changing landscape, influenced by social and technological developments. There is always something new to learn, to understand, at no point would I therefore, profess to be an expert.

Jesse Stommel (on Twitter) shared: “Every semester I teach at least one book that I’ve never read before. I read it with the students and actively under-prepare.” Within his words, there is a clue to a deeper philosophy, a belief in shared, interdependent learning between teacher and student. I take a similar approach with my own students, wishing to participate in a ‘learning journey’, where the opinions of student and teacher are of equal value.

Of all of the reading that was provided to support this part of the course, I found Howard Rheingold’s article ‘Toward Peeragogy’ provided the most compelling narrative. Reflecting on the development of what he has coined “peeragogy”, Rheingold draws out, what I believe to be, key tenets in encouraging independent/interdependent learning in any classroom.

In retrospect, I can see the coevolution of my learning journey: my first step was to shift from conventional lecture-discussion-test classroom techniques to lessons that incorporated social media, my second step gave students co-teaching power and responsibility, my third step was to elevate students to the status of co-learner. It began to dawn on me that the next step was to explore ways of instigating completely self-organized, peer-to-peer online learning.

In his classroom, both online and in the lecture hall, Rheingold’s “peeragogy” is built on ‘openness’, ‘social media’, and ‘student voice/choice’ – the same three tenets advocated by Catherine Cronin during a presentation at #EdTech12. Three tenet that can easily be applied to cMOOCs.

The Role of the cMOOC

Returning to one of the articles, from day one of MOOC MOOC, I would argue that Siemens is correct. c“MOOCs are really a platform”, out of which an interdependent network is built. A network that encourages, openness, social connectedness/collaboration, and voice/choice. The cMOOC is nothing without its participants and its participants are in control of the pedagogy.

‘Leashes Not Required’ – A Google+ Hangout

Google PlusKevin McLaughlin and I will be hosting a Google+ Hangout at 8pm on Wednesday, 25 April, to discuss our approaches to facilitating independent/personalised learning in our classrooms.

It has been apparent for some time that Kevin and I share a similar set of values with regard to education. Unwilling to be the ‘sage on the stage’, to spoon feed, teach to the test or over plan, we both practice (and advocate) a student-centred approach to learning in our classrooms. Yesterday, on Twitter we found ourselves (not for the first time) sharing our thoughts about what had been happening in our respective classrooms. In that moment we both had the same idea, to compare notes in greater detail. We have decided that the best place to do this would be in a Google+ Hangout. This will allow a few other people to join in with us, and for the conversation to be recorded so that it can be shared more widely afterwards.

Read about Kevin’s experiences, introducing his class to personalised learning, in the following posts:

Read about the research I have been doing into independent learning in the following posts:

If the ideas shared here or in the various posts resonate with you, then please consider tuning in via Google+ on Wednesday at 8pm. The link will be shared publicly on Google+ and via Twitter. We hope that the discussion will be a productive and valuable one.

[Update: Kevin and I were joined by Steve Philp and Spencer Cartwright. Unfortunately, due to some technical issues we were unable to record the Hangout. Nevertheless, we had a thought provoking chat about the approaches that Kevin and I have been employing to facilitate independent learning – culminating in a consideration of the barriers to fostering such approaches more widely.]

iPad + Garageband FTW!

I recently shared on Google+ how I had been using iPads and Garageband to help my Year 8 class to improve the quality of their writing. This is a reworked version of that post. Thanks to John Johnston and Helen Morgan (amongst others) for sharing their thoughts.

The learning…

I’ve been using iPads with my Year 8 class to record narrative writing that they have created. I had the students draft a piece of writing based on Down the Rabbit Hole by Lewis Caroll, which they recorded using the iPads. I wanted the students to see how punctuation effected the way the read because after reading the first drafts, I was none too pleased with the standard of their writing.

I uploaded the recordings to the VLE and asked the class to peer assess each others work. Using those comments and some live assessment in Google Docs from me, they created improved narratives with more accurate punctuation and improved vocabulary.

They then recorded their final drafts which we burned to discs. While the drafting/redrafting process is not unusual in the English classroom, recording and evaluating their written work in this way added a new dimension to the learning process. It ensured that every single student’s work was shared without the embarrassment that some students feel standing in front of the class. By putting the audio on the VLE, every student received feedback, which due to time constraints would not happen in a traditional classroom setting. What’s more, I could further differentiate my support by listening and focussing feedback where it was most needed.

To complete the unit I wanted them to present their work effectively. They created a CD cover using drawn or found images, with their narrative writing printed up on the reverse. Giving them a physical artefact to take away that represented their effort and progress was highly motivational and also contributed to the quality of the finished work.

It was a great project to end the year with and the use of the iPads and Garageband made a huge difference to the quality of the students’ work.

Here are two example recordings (personally, I think that the background noise adds to the ambience):

And here is an example cover (front and back):

Rabbit Hole Front

Rabbit Hole Back

I used SurveyMonkey to get the class to reflect on their use of the iPads and Garageband. Here’s a selection of comments:

  • “I found it useful because it helps you find your own mistakes”
  • “I found this useful because I could do y punctuation from listening to it because I would know when to put , and . as I know when I paused and stopped at the end of a sentence”
  • “It helped me to see where I need to put commas”

The technology…

The whole process was fabulously straightforward and the sound quality was excellent.

Here are a few tips if you wish to use iPad and Garageband in the same way. Garageband is super easy to use but the default settings can scupper a recording instantly. Before the students hit record make sure that they select the ‘puzzle piece’ in the top left and set the duration to automatic. Not doing so will result in the recording being cut short. Secondly, select the spanner in the top right and turn off the metronome. The iPad will record all sound so it captures the sound of the metronome in the recording.

With those settings sorted you are ready to record. The UI is beautiful and reacts to what you are doing generating relevant buttons, e.g.: when recording a stop button appears and also an undo button to easily take backwards steps. My students found it very easy to use and they (like I was) were really impressed with the sound quality.

What if I don’t have access to iPads and/or Garageband?

I’ve been working with audio/podcasting for over three years now. It is, in my opinion, one of the most underrated mediums in education. Most schools plug for video… it’s usually seen as the obvious choice but there are many activities for which I believe audio to be the best option. Capturing group discussions, for example, is far easier with an audio recorder than a video camera. I do this with my A2 students and then upload the recording to the VLE for them to refer back to and/or download. As it’s an MP3 it is a small file, there is rarely a need to edit, and I find that the students concentrate on what is being said rather than admiring themselves on camera.

I am surprised at the lack of take up when it comes to the use of audio/podcasting in schools because the technology itself is ubiquitous. You don’t need to invest in iPads or Apple Mac computers. Audacity (a free, cross-platform, sound editor) will do the same job as Garageband and most laptops (including notebooks) come with a built in Mic. However, cheap USB Mics are easy to get hold of. This one has done the job for me in the past. Furthermore, nearly all mobile devices have an audio capture function which is easy to manage (audio formats are far more malleable) whereas video recorded on mobile devices can be difficult to use due to variations in format/codec. As John stated: “It can be an instant win pedagogically and motivationally.”

Moreover, both Garageband (built into all Macs) and Audacity are standalone apps which do not require an internet connection. A common complaint from teachers when they look at using technology in the classroom is that the school network or internet is not reliable. In using these apps, or the iPads themselves, there was no reliance on the school network. This gave me and the students confidence that we would complete the task. As Helen noted it’s important to have a “fall back plan”, I briefly considered recording direct into AudioBoo but this could have easily broken down due to a bad network connection or missing plugins such as Java or Flash.

If you think audio could work for you and your students, I recommend that you jump right on in and give it a go. Results can be achieved quickly and in a cost effective way. If you would like further advice on how to use audio in your classroom, please get in touch.

Google+: A Space In-Between

Thin Blue Line

What Google+ is and will become, remains largely speculative. There’s a lot of missing features and functions that need to be addressed. And for some of us, there are a number of arising questions, such as: What does it mean to add another stream of information to my busy life? In it’s early iteration though, I am enjoying the liminal space that Google+ is currently inhabiting.

As I have discussed on Google+, the platform sits somewhere between ‘social network’ and ‘blog’. It is this that I have found so gratifying during my early use of it.

Twitter has become fundamental in helping me to develop as an educator; engaging me with other educators, ideas and tools that I may not have come across so easily. However, my one grievance with the platform has been the 140 character limitation. I understand, that this very feature of Twitter is the fundamental principal on which the platform was built. Nevertheless, I feel inhibited by it, particularly in those moments where you are involved in a detailed discussion and need to express yourself more fully.

This blog on the other hand, clearly offers me greater freedom to write, reflect and explore topics in greater detail generating discussion in the comments. However, I am quite the perfectionist and it has become the pattern that blog posts tend to gestate and evolve over time so the opportunities for these more meaningful discussions become dispersed. Additionally, I have not mastered the art of the short blog post. It is something I struggle with; yet I know that long tomes are not always conducive to driving readers towards your blog.

My approach to my blog and the limitations I feel are self-created: I have (IMO) spent a little too much time, cultivating the image of the blog, increasing its importance and value in my mind… therefore I find it difficult to square away the idea that I could publish concise, punchy blog posts.

Google+ on the other hand does not have the limitations of Twitter or a Blog. Firstly, there is no character limit. As such I can write more than a tweet. This does not mean that I have found myself writing massively long posts. Due to the social nature of the platform, I do not feel compelled to do so. What’s more, the ensuing discussion becomes more detailed and involving, and as such, arguably, more meaningful. Something, which many blogger crave to achieve.

Secondly, as it is new and not yet fully formed, it also free of many limitations usually found within social networks. Unlike Twitter, Google+ has no set rules, be they self-imposed or community created.

Thirdly, Google+ is not as formalised as a blog can be. Writing feels very natural; sharing thoughts and ideas with links and images, free from constraints.

My response to Google+ is highly idiosyncratic but nevertheless I believe there is something valuable about the in-between space that the platform currently inhabits. Hovering between blog and social network, Google+ is something else entirely. While it remains undefined it will I believe continue to hold an appeal for me… a space for connecting, writing and sharing ideas. Whether, this continues to be the case as the platform grows and evolves, I will just have to wait and see.

What I would like, is to feel the same way about writing here on my blog. The question I’m left pondering then, is this: How do I quell the perfectionist inside and establish the same liminality on my blog?

Image courtesy of NASA’s Marshall Space Flight Center.